✅️ Payment is possible with cards of international payment systems (VISA / Mastercard and others) from any country. Welcome! X

Main

LANGUAGE

Currency

Info

Phone

TICKET SEARCH
DATE
from: to:
GENRE
PRICE
up to
EXTENDED SEARCH
DATE
from:to:
GENRE
PRICE
up to
LANGUAGE
AGE
age restriction
QUICK SEARCH

Please enter theatre's name, actor's name or any other keyword

SEARCH

Pétrouchka (Mariinsky II (New) Theatre, ballet)

Pétrouchka (Mariinsky II (New) Theatre, ballet)

Genre: Ballet Age restriction: 12+ Length: 40 minutes

 

Credits


Music by Igor Stravinsky
Libretto by Vladimir Varnava and Konstantin Fyodorov


Choreographer: Vladimir Varnava 
Set and Costume Designer: Galya Solodovnikova 
Lighting Designer: Igor Fomin 

Artists


Cast to be announced

I really love Fokine’s Pétrouchka. In my opinion it’s a brilliant ballet. For me it was important to retain the thread of the production created back in 1911, but also not to repeat it – to borrow some things from it, but to reinvent them for the present day, to find cultural codes, to cast out nets to bring in today’s audiences.

In his memoirs, Fokine mentions the idea that Pétrouchka is a puppet turned inside-out. I have tried to develop that idea. If you turn a person inside-out then all the organs are on the outside, all of the nerves are revealed, and even the most feather-light touch will be perceived as unbearable pain. That is how the character of Pétrouchka has developed.

For us, Pétrouchka is a person hunted by the collective, his talent lies in the fact that he senses things more deeply than others. A lonely soul, an individuality, who comes face to face with a crowd. He thinks about the concept of free will: does his own choice actually exist, or has everything been preordained and he is just a character with a role already written?

The plot of the ballet unfolds in Pétrouchka’s consciousness, represented in the form of a phantasmagorical circus. At the will of the creator, the servants of the stage resolve the destiny of the protagonist, and they embody the events that occur. Each evening before a packed house the unhappy Pétrouchka must perform this unhappy plot, and – in his case, relive the nightmare.

Should the audience associate themselves with Pétrouchka? No, first and foremost the audience must examine themselves from the side. But whom will they find there – perhaps they might empathise with the Moor, or perhaps with the abominable dwarves, who torture Pétrouchka?
Vladimir Varnava

 

Mariinsky II (New) Theatre playbill


This show has no active performances now!

LEAVE A REQUEST

VIEW ACTUAL PLAYBILL
We recommend: Train Tickets in Russia